Anyway (Cassette)
Last summer, after living across the country from each other for several years, the four members of Anamanaguchi decided to try something new. Their label Polyvinyl had rescued the famed American Football house from potential destruction, so the band took the opportunity to move in and write together. Over the course of a month, Anamanaguchi – pioneers of hyper-melodic 8-bit rock, whose extraordinary ascent has led them to topping charts with a virtual pop star – flipped their typically meticulous digital process on its head. The result is Anyway. Written in the converted living room-turned-practice space, Anamanaguchi walked away with the most personal record of their career. And it's a rock record for the ages.
“Crazy sounds come from normal-looking houses,“ notes singer/songwriter/guitarist Peter Berkman. “We made the decision to be physically in the same room for nearly every step, writing everything as a group instead of editing and tweaking files over the internet.”
The band brought these demos to Grammy-winning rock producer Dave Fridmann (The Flaming Lips, MGMT, Sleater-Kinney), whose old school approach drove the point home. Once again staying under the same roof – this time at the Fridmann family’s cozy Tarbox Road Studios in western New York – they recorded Anyway straight to tape, uniting around live instruments and lyrics sung by everybody in the band. Fridmann encouraged live tracking and spontaneous performances, which were shaped by Luke Silas’ propulsive drumming. The album’s analog sound comes in part from their search for vintage gear, including an extremely rare set of Marshall guitar cabinet speakers from the late-1960s – previously used on recordings by Jimi Hendrix, Van Halen, Nirvana, and Weezer – that give Berkman and co-guitarist/vocalist Ary Warnaar their distinct sound. “Every detail came from this need to do it right the first time,” Berkman notes about this significant shift for such consummate tinkerers. Adds bassist/vocalist James DeVito, “This time there was no undo button, no alternate versions. The decisions had to be made before, not after.”
At first, Anamanaguchi aimed to explore rage as the record's main theme, reflecting the various frustrations of the world. But quickly they found themselves distracted by having fun together, and Anyway instead captures a band creatively and personally energized: the experience of four best friends reviving their connection in a disconnected world. As Anamanaguchi has always been an instrumental band, the decision to sing suddenly confronted them with the question of what the band’s voice would ultimately be. They explore this newfound power in every song, making it their most emotionally resonant work yet.
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Description
Last summer, after living across the country from each other for several years, the four members of Anamanaguchi decided to try something new. Their label Polyvinyl had rescued the famed American Football house from potential destruction, so the band took the opportunity to move in and write together. Over the course of a month, Anamanaguchi – pioneers of hyper-melodic 8-bit rock, whose extraordinary ascent has led them to topping charts with a virtual pop star – flipped their typically meticulous digital process on its head. The result is Anyway. Written in the converted living room-turned-practice space, Anamanaguchi walked away with the most personal record of their career. And it's a rock record for the ages.
“Crazy sounds come from normal-looking houses,“ notes singer/songwriter/guitarist Peter Berkman. “We made the decision to be physically in the same room for nearly every step, writing everything as a group instead of editing and tweaking files over the internet.”
The band brought these demos to Grammy-winning rock producer Dave Fridmann (The Flaming Lips, MGMT, Sleater-Kinney), whose old school approach drove the point home. Once again staying under the same roof – this time at the Fridmann family’s cozy Tarbox Road Studios in western New York – they recorded Anyway straight to tape, uniting around live instruments and lyrics sung by everybody in the band. Fridmann encouraged live tracking and spontaneous performances, which were shaped by Luke Silas’ propulsive drumming. The album’s analog sound comes in part from their search for vintage gear, including an extremely rare set of Marshall guitar cabinet speakers from the late-1960s – previously used on recordings by Jimi Hendrix, Van Halen, Nirvana, and Weezer – that give Berkman and co-guitarist/vocalist Ary Warnaar their distinct sound. “Every detail came from this need to do it right the first time,” Berkman notes about this significant shift for such consummate tinkerers. Adds bassist/vocalist James DeVito, “This time there was no undo button, no alternate versions. The decisions had to be made before, not after.”
At first, Anamanaguchi aimed to explore rage as the record's main theme, reflecting the various frustrations of the world. But quickly they found themselves distracted by having fun together, and Anyway instead captures a band creatively and personally energized: the experience of four best friends reviving their connection in a disconnected world. As Anamanaguchi has always been an instrumental band, the decision to sing suddenly confronted them with the question of what the band’s voice would ultimately be. They explore this newfound power in every song, making it their most emotionally resonant work yet.
